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・ Museum of Romani Culture
・ Museum of Romanticism (Madrid)
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・ Museum of Jewish Heritage
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・ Museum of John Paul II Collection
Museum of Jurassic Technology
・ Museum of King John III's Palace at Wilanów
・ Museum of Korea Straw and Plants Handicraft
・ Museum of Korean Buddhist Art
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・ Museum of Lebanese Prehistory
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Museum of Jurassic Technology : ウィキペディア英語版
Museum of Jurassic Technology

The Museum of Jurassic Technology is a museum located at 9341 Venice Boulevard in the Palms district of Los Angeles, California (although it has a postal address of Culver City because it is served by that city's post office). It was founded by David Hildebrand Wilson and Diana Drake Wilson (husband and wife)〔David Wharton, ("Weird Science : Palms' quirky Museum of Jurassic Technology offers curioser and curioser displays, likely to prompt more questions than they answer" ), ''Los Angeles Times'', December 31, 1989.〕 in 1988.〔Tony Perrottet, (" The Museum of Jurassic Technology: A throwback to the private museums of earlier centuries, this Los Angeles spot has a true hodgepodge of natural history artifacts" ), ''Smithsonian'', June 2011.〕
The museum calls itself "an educational institution dedicated to the advancement of knowledge and the public appreciation of the Lower Jurassic";〔("Introduction and Background" ) at Museum of Jurassic Technology official website (accessed 2012-10-10).〕 the relevance of the term "Lower Jurassic" to the museum's collections is left uncertain and unexplained.〔Edward Rothstein, ("Where Outlandish Meets Landish" ), ''The New York Times'', January 9, 2012.〕 The museum's collection includes a mixture of artistic, scientific, ethnographic, and historic, as well as some unclassifiable exhibits, and the diversity of its offerings evokes the cabinets of curiosities that were the 16th-century predecessors of modern natural history museums. The factual claims of many of the museum's exhibits strain credibility, provoking an array of interpretations from commentators. The museum was the subject of a 1995 book by Lawrence Weschler entitled ''Mr. Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology'', which describes in detail many of its exhibits. David Hildebrand Wilson received a MacArthur Foundation fellowship in 2001.〔(MacArthur Foundation Fellows List, 2001 )〕〔("Jurassic Genius David Wilson: Offbeat Museum Curator Wins Prestigious 'Genius Grant'" ), NPR, October 27, 2001.〕 The museum is also mentioned in the novel ''The Museum of Innocence'', by Nobel-laureate Orhan Pamuk.
==Overview==
The museum contains an unusual collection of exhibits and objects with varying and uncertain degrees of authenticity. ''New York Times'' critic Edward Rothstein described it as a "museum about museums", "where the persistent question is: what kind of place is this?"〔 ''Smithsonian'' magazine called it "a witty, self-conscious homage to private museums of yore . . . when natural history was only barely charted by science, and museums were closer to Renaissance cabinets of curiosity."〔 In a similar vein, ''The Economist'' said the museum "captures a time chronicled in Richard Holmes's recent book ''The Age of Wonder'', when science mingled with poetry in its pursuit of answers to life's mysterious questions."〔("A cabinet of wonder: A Los Angeles museum filled with curio and mystery" ), ''The Economist'', September 10, 2009.〕
Lawrence Weschler's book, ''Mr. Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, And Other Marvels of Jurassic Technology'', attempts to explain the mystery of the Museum of Jurassic Technology. Weschler deeply explores the museum through conversations with its founder, David Wilson, and through outside research on several exhibitions. His investigations into the history of certain exhibits led to various results of authenticity; some exhibits seem to have been created by Wilson's imagination while other exhibits might just be displayed in the Natural History Museum. The Museum of Jurassic Technology at its heart, according to Wilson, is "a museum interested in presenting phenomena that other natural history museums are unwilling to present."
The museum's introductory slideshow recounts that, "In its original sense, the term, 'museum' meant '''a spot dedicated to the Muses, a place where man's mind could attain a mood of aloofness above everyday affairs'''". In this spirit, the dimly lit atmosphere, wood and glass vitrines, and labyrinthine floorplan lead visitors through an eclectic range of exhibits on art, natural history, history of science, philosophy, and anthropology, with a special focus on the history of museums and the variety of paths to knowledge. The museum attracts approximately 25,000 visitors per year.
Over the years, the museum has expanded both its exhibitions and other public offerings. In 2005, the museum opened its Tula Tea Room, a Russian-style tea room where Georgian tea, cookies, and crackers are served to patrons. This room is a miniature reconstruction of the study of Tsar Nicolas II from the Winter Palace in St. Petersburg, Russia. The Borzoi Kabinet Theater screens a series of poetic documentaries produced by the Museum of Jurassic Technology in collaboration with the St. Petersburg–based arts and science collective Kabinet. The series of films, entitled ''A Chain of Flowers'', draws its name from the quote by Charles Willson Peale: "The Learner must be led always from familiar objects toward the unfamiliar, guided along, as it were, a chain of flowers into the mysteries of life". The titles of the films are ''Levsha: The Cross-eyed Lefty from Tula and the Steel Flea'' (2001), ''Obshee Delo: The Common Task'' (2005), ''Bol'shoe Sovietskaia Zatmenie: The Great Soviet Eclipse'' (2008), ''The Book of Wisdom and Lies'' (2011), and ''Language of the Birds'' (2012).

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